My second book, Hit Factories: A Journey Through the Industrial Cities of British Pop, is out now in hardback and e-book format from Weidenfeld & Nicolson. (Order it from Amazon here.)
Roddy Doyle said:
The book’s a joy. I wanted to move to Hull while reading that chapter and – almost – wanted to listen to Black Sabbath for the first time since 1974 . . . I love the way Whitney makes such creative use of a good walk and I admire the way he makes the people who created the music we love seem like such nice, bright men and women
John Harris reviewed the book for The Guardian here. It was the Guardian‘s Book of the Day on 19 June 2019, and Book of the Week in the Guardian Review of 22 June 2019.
Éamon Sweeney reviewed Hit Factories for The Irish Times on 29 June 2019, calling it ‘an extremely important addition to modern music writing’.
Murray Withers reviewed the book for the Financial Times, calling it ‘a fine document of a golden era for music in the UK’s regions’.
Q Magazine called the book ‘a trip’ and awarded it four stars.
Melissa Chemam, reviewing Hit Factories in the Times Literary Supplement, called the book ‘an interesting, sharp, swift overview of the UK’s pop music history’.
What Hi-Fi? magazine called Hit Factories ‘an insightful and provocative read […] for vinyl-lovers and anyone interested in the music industry’s fluctuating grip on the physical product’.
There were also reviews in The Sun, the Mail On Sunday, MOJO magazine and the Wire.
I did an interview with Marjorie Brennan of the Irish Examiner about the book.
RTÉ have published an exclusive extract from the book’s prologue online.
I wrote about my experience writing the book for the Irish Times.
I talked about my favourite things to NARC magazine.
My interview with the Newcastle Journal about the city’s music scene and rock journalist Nik Cohn’s time in Newcastle.
I wrote about the Liverpool chapter, specifically: pretending to be Paul McCartney, for Lit Hub.
Here’s a brief summary of what the book’s about:
After discovering a derelict record plant on the edge of a northern English city, and hearing that it was once visited by David Bowie, Karl Whitney embarks upon a journey to explore the industrial cities of British pop music.
Manchester, Liverpool, Newcastle, Leeds, Sheffield, Hull, Glasgow, Belfast, Birmingham, Coventry, Bristol: at various points in the past these cities have all had distinctive and highly identifiable sounds. But how did this happen? What circumstances enabled those sounds to emerge? How did each particular city – its history, its physical form, its accent – influence its music? How were these cities and their music different from each other? And what did they have in common?
Hit Factories tells the story of British pop through the cities that shaped it, tracking down the places where music was performed, recorded and sold, the boardrooms where deals were done, and the people – the performers, entrepreneurs, songwriters, producers and fans – who made it all happen. From the venues and recording studios that occupied buildings formerly used for other purposes – disused cinemas, churches and abandoned factories – to the terraced houses and back rooms of pubs where bands first rehearsed, the terrain of British pop can be retraced with a map in hand and a head filled with music and its many myths.
Announcement of the book being signed in The Bookseller here.
I’ve compiled a Hit Factories playlist on Spotify.
For publicity enquiries email Leanne.Oliver@orionbooks.co.uk.